[identity profile] callmeonetrack.livejournal.com posting in [community profile] karathracelives




Hybrid Chamber

(Kara looks at the Hybrid.)

Hybrid: ... All these things at once and many more not because it wishes harm but because it likes violent vibrations to change constantly then shall the maidens rejoice at the dance structural integrity of node seven restored repressurizing the children of the one reborn shall find their own country the intruders swarmed like flame like the whirlwind hopes soaring to slaughter all their best against our hulls ...

Starbuck: I'm here. You wanted me here, so...

Hybrid: ... Replace internal control accumulators 4 through 19 they'll start going ripe on us pretty soon compartmentalize integrity conflicts with the obligation to provide access FTL sync fault uncorrected no ceremonies are necessary ...

Hybrid: ... then shall the maidens rejoice at the dance structural integrity of node seven restored repressurizing the children of the one reborn shall find their own country. End of line, reset. Track mode monitor malfunction traced recharge compressors increase the output to 50% assume the relaxation length of photons transfers contact is inevitable leading to information bleed FTL sync fault stands uncorrected no ceremonies are necessary...

Starbuck, crouching: I don't understand.

Hybrid: ... Centrifugal force reacts to the rotating frame of reference the obstinate toy soldier becomes pliant the city devours the land...

Leoben, kneeling: You can't hurry her. You have to absorb her words. Allow them to caress your associative mind. Don't expect the fate of two great races to be delivered easily.

Hybrid: ... Assume the relaxation length of photons in the sample atmosphere is constant the intruders swarmed like flame like the whirlwind hopes soaring to slaughter all their best against our hulls...

(Helo paces the Demetrius CIC; Gaeta is looking rough in his makeshift sickbay.)

Hybrid: ...All these things at once and many more not because it wishes harm but because it likes violent vibrations to change constantly then shall the ...

Athena: Hey, we're rigged and ready. It's time to pull her offline and get out of here before we miss our rendezvous.

Hybrid: ...Reset...

Athena: Any luck, Captain?

Starbuck: Not a frakkin' thing.

Hybrid: ... But you are a spark of God's fire core update complete...

Starbuck: Frak it! Unplug the damn thing. Let's get the frak out of here.

Hybrid: ... Threat detection matrix enabled dendritic response bypassed the received dose is altered by the delayed gamma burst going active execute the children of the one reborn shall find their own country, end of line.

(An Eight opens a panel and unplugs the Hybrid, who shouts in an unceasing scream. A Centurion steps forward, converting guns.)

Natalie, angrily: Stop!

(The Centurion fires, dropping the Eight. Kara and Athena destroy it.)

Anders, entering: ...What the hell happened?

(The Eight's blood pollutes the water in the Hybrid tank; she's still screaming.)

Starbuck: What do you want from me? Please, I need you.

(She finally stops, and pulls one hand from the water with a calm smile.)

Hybrid: ...Thus will it come to pass the Dying Leader will know the truth of the Opera House the missing Three will give you the Five who have come from the home of the Thirteenth you are the harbinger of death Kara Thrace you will lead them all to their end.

(Kara is stricken.)

Hybrid: End of line.

(The Hybrid goes limp, and Athena fully unplugs her; the room goes dark.)

Date: 2010-11-01 11:36 pm (UTC)
From: [identity profile] scifishipper.livejournal.com
I really dislike the "harbinger of death" moniker. Makes me feel so sad for her. She's already been through hell in her life and now she has to lead them all to their end. It sounds so miserable. :(

Date: 2010-11-01 11:56 pm (UTC)
From: [identity profile] damao2010.livejournal.com
I dislike pretty much everything that has to do with Kara Thrace and her special destiny. I believe in free will and that destiny is what you make of it. However, Leoben and the hybrid pulled Kara into that all that craziness and by doing that they started to make it true. All in all, I think it was more of curse and a self-fulfilling prophecy. She would have been happier without all of that burden to fulfill that so-called destiny.

Date: 2010-11-02 02:37 am (UTC)
From: [identity profile] rachelindeed.livejournal.com
I actually really love this scene. I think it is so effectively done, especially in the acting and the beautiful lighting, from the moment the hybrid starts screaming to her gentle recitation of the prophecy (incidentally putting the lie to Leoben's advice about associative thinking and that you can't expect the fate of two great races to be delivered easily -- she gets it in one sentence that is almost totally literal! Don't bother listening to Leoben, Kara, he doesn't know what he's talking about). The scene really works for me, as drama. It is effectively eerie and haunting. It was the high-point of the Demetrius story arc for me -- that and the unexpected outbreak of violence between Barolay and one of the Sixes. I thought both those scenes were very effective mixtures of horror and compassion and they surprised me the first time I saw them.

I am not among those who take the mythic elements of BSG too seriously; I don't think the show is saying or even trying to say anything profound about free will or fate, particularly, I think it's playing around with long-standing fantasy elements and a free-floating grab bag of religious themes. I'm fine with that in the moments when it's used to good dramatic effect (like the Tomb of Athena sequence in season 2, which carries a real sense of awe). For me, the problem is not that Kara has a destiny, I think the problem is that it turned out to be a destiny that 1) confused and killed her, not necessarily in that order, and 2)did so for no good reason as far as we can tell by the rules laid out within the BSG mystical canon.

I was reading a JB interview the other day in which he said that the mystical elements of the show, including the Tomb of Athena sequence, made him uncomfortable because they seemed to take sides too definitively in the storytelling: after that, what kind of sense does it make to question the existence of supernatural gods? It seems like the story has definitively decided profound questions that should have been left open; in the BSG world, it doesn't make much rational sense to be an atheist. I'd say that has been true pretty much since season one and Roslin's supernaturally accurate visions. Now, as I say, I don't mind it when writers create their own mythos -- Star Wars is famous for doing so, and it's fine with me if BSG wants to have real Greek gods or a single over-ruling deity, malevolent or otherwise -- it's their fictional universe, they can do whatever serves their story. But I think maybe the problem was that the writers liked the idea of being ambiguous and leaving religious questions open to debate, but they had already closed that door from a plot perspective (in the story, prophecy, destiny and the gods have worked accurately from season one onwards), so they thought the way to keep things "mysterious" and to "leave the debate open" was to not specifically explain much of anything about the way the god or gods worked or their motives. So what we wound up with was a really vague and contradictory picture of these mystical forces and destinies. But leaving the audience with that jumbled picture does feel more like lazy plotting and not knowing where the story was going than it feels like genuinely thought-provoking religious/existential commentary. I have thought a fair amount about free will and predestination in my own real life and beliefs, and nothing I saw on BSG struck me as a serious examination of either.

Date: 2010-11-02 09:19 am (UTC)
From: [identity profile] imelda72.livejournal.com
For me, the problem is not that Kara has a destiny, I think the problem is that it turned out to be a destiny that 1) confused and killed her, not necessarily in that order, and 2)did so for no good reason as far as we can tell by the rules laid out within the BSG mystical canon.

x2. Actually, on pretty much everything you said. Except for the part about loving this scene, lol, because I hate it. But I agree with pretty much everything else you've written.

Date: 2010-11-02 02:54 pm (UTC)
From: [identity profile] imelda72.livejournal.com
Yeah, it's funny that we jump off from the starting point of this discussion in two totally different directions, but I end up at the same place as her!

- show is not trying to make a point about free will; mythic elements not a big deal

- OK with idea of Kara having a destiny

- pissed that Kara's destiny was stupid, and that she didn't need to die for it to happen

- supernatural element has been there since day 1, so it's kind of silly to object to it (hello, Laura Roslin!)...

- but the writers made a real unsatisfying mess of their mythology, and succumbed to lazy plotting

So, all in all, check, check and check! Except, heh, yeah, for that part about this scene. Because it causes me pain to see Kara told, yet again, that she is a cancer.

Date: 2010-11-02 04:54 pm (UTC)
From: [identity profile] rachelindeed.livejournal.com
I agree with you that the Cylons remained unsatisfyingly vague throughout the series as well. Part of what made the baseship boring was that it didn't have the feel of a real culture, the way the Galactica did. Why would machine-people put chaise lounges in the middle of rooms and wander around in the nude while listening to the piano? You have yet to convince me you have put any real thought into how they live, or why, writers. They just felt consistently shallow, and I for one was not surprised that neither they nor Head!Six's god seemed to actually have a plan.

I know some people were bothered by the fact that the gods resurrected Kara, because they thought that broke the established rules of the show. I guess it didn't bother me that much because it seems like the gods were already shown to have extreme powers, like making suns explode, and it was also implied that they had a power over life and death. Besides being a traditional power ascribed to gods, you have elements like the "cost in blood" to be extracted on Kobol, or Roslin being the "dying leader," presumably a fate the gods set out for her and described through the Pythian prophecies. If they can control cancer, cursing Roslin with that role in the story in the first place, then granting her a temporary reprieve, and then overriding the miracle Cylon cure to turn her back into the Dying Leader as the endgame for Earth approached, then what they did to Kara seems of a piece with that. I'm not trying to argue anyone into liking these parts of the story, I'm just saying that for me, I would have been fine with the idea that the gods could grant life as well as doom it if the reasons why they did so had been more clearly and compellingly established. As it is, with Kara it seems like their blessings and curses were arbitrary.

Date: 2010-11-02 03:59 pm (UTC)
From: [identity profile] damao2010.livejournal.com
I don't like the scene but I agree with much of what you said especially this :

the problem is not that Kara has a destiny, I think the problem is that it turned out to be a destiny that 1) confused and killed her, not necessarily in that order, and 2)did so for no good reason as far as we can tell by the rules laid out within the BSG mystical canon.

Even in BSG universe, I think it's possible to be perhaps not an atheist exacly but to keep a health dose of agnosticism in the sense that if there are things beyond our understanding (gods and prophecies and special destinies), you can't control them and therefore you can't really give them any major role in your decision making process. You can only take into account the things you do understand and control. That is what Lee and Adama do, I guess. And, despite her religious beliefs, that's what Kara did up to the moment she died. After that, she became more focused on understanding what her destiny was supposed to be and on what she had to do fulfill it, setting aside the rest of her life and her own happiness. That and the fact her destiny seemed so stupid and poorly thought-out combined to make me really dislike that plot.

Date: 2010-11-02 04:15 pm (UTC)
From: [identity profile] rachelindeed.livejournal.com
I hear you, although I think they have all been letting the destiny of Earth control their decision-making since season one (it's their literal destination -- the place they are destined to go). Lee and Adama as well as Kara and Roslin have made this prophecied haven their strategic goal and they've fought and died in the race to get there and to interpret the mystical clues along the way from Pythia/Eye of Jupiter/the god or gods, etc. They've all been willing to set aside life and happiness for the sake of Earth, that's the central story of the series. I see Kara's destiny as a continuation of that long-standing story of humanity's destiny, rather than as a departure from it. Though I'm with you in thinking that her part of the story was incoherently told. Sigh.

Date: 2010-11-03 01:23 am (UTC)
From: [identity profile] damao2010.livejournal.com
Lee and Adama as well as Kara and Roslin have made this prophecied haven their strategic goal and they've fought and died in the race to get there and to interpret the mystical clues along the way from Pythia/Eye of Jupiter/the god or gods, etc.

You're right, of course. But at first, Earth was not really their destination. It was a ploy to keep the morale up while they figure out what to do exaclty. Later, Roslin started to bring the mysticism into play but even she used it as a political way to grant support. The big turning point came when they found Kobol and the Tomb of Athena. But even there there was enough physical evidence that there was some truth to the old myths to support believing in them as something real. And to take the more mystical aspects (as the vision or whatever they experienced in the tomb) with a grain of salt - something that is accepted though it can't be explained. Bill and Lee are more worried about the physical clues they found along the way than in the prophecies themselves. When Kara's destiny became something bigger than life there wasn't really anything concrete to base it on. It was purely mystical and it didn't make a lot of sense.

Date: 2010-11-03 03:44 am (UTC)
From: [identity profile] rachelindeed.livejournal.com
Sure, I guess everyone has different "crossing the line" points when it comes to their suspension of disbelief. To me, Kara's choices in Season One/Two (she risks her life based on Roslin's mystical vision in order to get an arrow that shows them an inexplicably magical map to Earth which they all proceed to follow) don't seem all that different from her choices in Season Three/Four (she sacrifices her life based on her own mystical vision and gets an inexplicably magical Viper that picks up a radar signal from Earth which they all proceed to follow). I think the story depends on supernatural forces being real in both cases, or else following these signs and visions they're sending makes no sense. The Tomb of Athena map and Kara's resurrection both seemed like free-standing miracles that were hard to deny on a sensory, empirical level.

I guess you could say that Lee and Adama somehow accepted the Tomb of Athena map without accepting the prophecies behind it, but that seems a little irrational, given the circumstances. Those prophecies were about finding Earth, the mythical haven for humanity. If you don't think they're true, then why bother following the physical map? If Earth isn't really the safe haven that the Scriptures promise, then it's a really bad idea to go there and try to settle when the Cylons are still chasing you, it seems to me. You'll just get yourselves killed or occupied, like at New Caprica, and bring down whoever is already settled there along with you.

I definitely share your frustration that they never explained why Kara needed to die in order to guide humanity to Earth. That's bad storytelling, period. Although now that I think about it, I realize they never explained why Roslin needed to be a dying leader in order to lead her people to Earth, either. "Because that's what the prophecy says" seems to be the only answer we get in either case. So I think maybe they've been playing that little game from Season One onwards, too.

Now, I freely admit I enjoyed the Arrow of Apollo/Tomb of Athena stuff a lot more than I enjoyed the Magical Viper/Mystical Lullaby stuff. But for me it was mostly because the earlier storylines played better as drama and had happier outcomes for the characters I loved, not because the series was following certain rules then that they later abandoned. I always accepted that there were gods and/or a higher god wandering around this fictional universe, but I always viewed them as plot devices rather than as serious examinations of real life or beliefs. Sadly, though, even as plot devices they proved unsatisfying, since the plot was muddled and they were muddled along with it.

Date: 2010-11-02 01:26 pm (UTC)
From: [identity profile] reginaspina.livejournal.com
OK, basically [livejournal.com profile] rachelindeed summed up my thoughts on your thinky thought! I just wanted to say that I LOVE the icon that you posted with!!

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